Formed at the Haute École des Arts du Rhin (HEAR, 2015), Ouissem Moalla (born in 1990 in Stockholm) explores themes of space and memory in his work, drawing inspiration from the research of historian Frances A. Yates. He draws from popular and literary culture, myths, and major texts, with language as a recurring thread. This takes shape through performances, installations, and paintings in which he questions space, our relationship to places, cosmogony, and beliefs.

Whether in Mulhouse, where his studio is located, or during residencies (Motoco&co Tokyo 2018; CEEAC - Basis E.v. Frankfurt 2023; Villa Salammbô Institut français Tunisia 2024), he works with the remnants of industrial ruins (G.O.L.D, 2017), explores myths and representations of urban gateways (Impressions d’Espaces, 2024), wanders around a Shinto shrine carrying chairs strapped to his back to form the character 目 (mù / eye) (Monkey, 2018), or reinterprets mystical texts by intertwining language and the body (Clavis Tabula, 2023). His work, enriched by multicultural influences, flirts with the human and social sciences, questioning archives and communities.

Ouissem Moalla classifies his works into «series», each forming a universe that he continuously expands with new projects exploring the same themes.

ARTICLES AVEC LE TAG : "sculpture"


Doors : Fetish - 2022
06. septembre 2022
Doors : FETISH - Plaster, PVC plastic and stainless steel 35x35x30 2022

Urban Sculpture proposition : Project 72°
01. septembre 2022
Video presentation of the project "72°". A kinetic sculpture entirely based on the 72° angle (division of the circle by 5).

Marché de Noel MOTOCO - Brique G.O.L.D (Information importante)
23. décembre 2021
Merci beaucoup de votre passage au marché de Noël de Motoco - Mulhouse (FR). Comme chaque année, j'ai proposé une installation autour de la série G.O.L.D. à laquelle l'architecture des anciens bâtiments DMC fait naturellement écho. C'était l'occasion de discuter avec vous du projet "Étalon" (2021) et d'y participer ou de le soutenir. Vous avez été nombreux à être sensibles à la finalité de ce projet qui joue avec des notions sociales, économiques et culturelles. Et j'espère...